National allegories in third world novels

dc.contributor	Graduate Program in English Literature.
dc.contributor.advisor	Irzık, Sibel,
dc.contributor.author	Sezer, Feride Evren.
dc.date.accessioned	2023-03-16T12:05:34Z
dc.date.available	2023-03-16T12:05:34Z
dc.date.issued	2005.
dc.description.abstract	This thesis focuses on the national allegorical aspects in Salman Rusdie’s Midnight’s Children and Nuriddin Farah’s Maps. Although allegorical elements are explored here, the thesis concerns itself with the identification problem of the third world individual, which amounts to the encounter between the West and the East through colonial and postcolonial experiences. The aim is to study how the individual reflects on him/herself with reference to his/her conception of the outside world, and how the two novels criticize and deconstruct fixed meanings imposed on the third world individual.
dc.format.extent	30cm.
dc.format.pages	vi, 66 leaves;
dc.identifier.other	EL 2005 S48
dc.identifier.uri	https://digitalarchive.library.bogazici.edu.tr/handle/123456789/16468
dc.publisher	Thesis (M.A.)-Bogazici University. Institute for Graduate Studies in Social Sciences, 2005.
dc.subject.lcsh	Allegory.
dc.title	National allegories in third world novels

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