Türk Dili ve Edebiyatı

Permanent URI for this community

https://digitalarchive.library.bogazici.edu.tr/handle/123456789/11642

Browse

Now showing 1 - 20 of 147

Sehi Beg Heşt Bihişt: |Sehi Beg tezkiresi: inceleme, faksimile metin, varyantlar, dizin
(Thesis (Assoc. Prof.) - Bogazici University. Institute for Graduate Studies in Social Sciences, 1982., 1982.) Kut, Günay.
Mihr ü Mah: |a mathnawi of Mustafa Âli
(Thesis (M.A.) - Bogazici University. Institute for Graduate Studies in Social Sciences, 1983., 1983.) Sabuncu, Zeynep.; Kut, Günay.
The purpose of this thesis is to study Mihr ü Mah, a mathnawi, which is one of the works of the prominent historian and poet of the sixteenth century, Mustafa Ali. Ali who was born on 25 April 1541 in Galipolli and died on 18 November 1599 in Jedda, wrote about fifty works on historical, literary and other subjects. Mihr ü Mah which has been transcribed in this thesis, is the first work he wrote under the cognomen Ali. In Turkish Literature there are two other mathnawis of the same name written by the poets Zarifi and Klyasi. In these mathnawis which basically relate love stories, it is possible to observe the use made of the anonymous Mihr ü Mah Story as found in Persian Literature. What distinguishes Ali's Mihr ü Mah from the rest is his emphasis on spiritual and metaphysical elements. Instead of concrete characters he uses personnages with symbolic overtones and instead of, describing earthly love, his versification is imbued with mystic passion.
The surname of Abdi as a sample of old Turkish Prose
(Thesis (M.A.)- Bogazici University. Institute for Graduate Studies in Social Sciences, 1983., 1983.) Göksel, Aslı.; Kut, Günay.
The Surname of Abdi is one of the several examples of the 'surname' genre in Old Turkish Literature. This genre takes the royal festivities as its subject matter and includes examples in both poetry and in prose. Different aspects of the festivities may be in the fore-ground in each 'surname', such as the presents, or names of guests, or the spectacles and garnes, or the procession of various guilds. The Surname of Abdi is written in prose. It is about the royal festivities that took place on the occasion, of the circumcision ceremonies of the two sons of Mehmed the 4th and the wedding ceremony of his daughter, in Edirne in 1675. This 'surname', although it mentions all the aspects of the ceremonies, dwells majorly on the guests and the presents brought by them. Thus the motive, it seems to be, is to demonstrate the wealth of the palace. There is a great resemblance between this 'surname' and that of Hazin, written forty-five years later, both in terms of style and form. This resemblance is so great that it makes one think whether Hazin took the Surname of Abdi as a model for his own 'surname'. There is not much information about the author, but considering his style and use of language, it is not very difficult to say that he has not gone through the 'medrese', which is the muslim theological school. The 'Surname of Abdi' is written in the semi-artistic style, a common style used by many writers of old Turkish prose. Apart, from its lingual and stylistic significance the 'Surname of Abdi' is an important resource on Turkish customs where one can find the kinds and amount of food eaten, who gave what present to whom and the general order and manner of the festivities.
Süleymaniye Kütüphanesi'ndeki minyatürlü yazma eserlerin kataloğu
(Thesis (M.A.) - Bogazici University. Institute for Graduate Studies in Social Sciences, 1991., 1991.) Seyhan, Nezihe.; Kut, Günay.
In this study, fifty-six manuscripts, which are kept in the Slileymaniye Library, illustrated with miniature paintings and bound altogether in fifty-four volumes, have been catalogued under the three headings of Turkish, Persian and Arabic manuscripts. These are, further, classified into eight groups according to their content J and each group is subdivided into separate sections in accordance with their subject matter and the particularities of the style they exhibit. Fourteen different styles have been detected in the miniature drawings of the manuscripts studied. Literary works written in Persian constitute a group which contains the largest number of miniatures displaying the greatest variety of style. The study of four Turkish manuscripts, and certain other literary works, such as mathnavis, divan poetry and khamsas, reveals the existence of a close connection between the miniatures and the texts they are designed to illustrate. Apart from clarifying and complementing the text, these paintings also serve function of reflecting the social and cultural life of the age during which they were produced.
Bursalı Talib ve divanı: |tenkidli metin ve inceleme
(Thesis (M.A.)- Bogazici University. Institute for Graduate Studies in Social Sciences, 1994., 1994.) Erdem, Melike.; Kut, Günay.
Upon the threshold between what is gone and what is yet to come: |the concept of time in A. H. Tanpınar's novels
(Thesis (M.A.) - Bogazici University. Institute of Social Sciences, 1996., 1996.) Köroğlu, Erol.; Kut, Günay.
Ahmet Hamdi Tanpmar considers time as a continuity which, he thinks, proceeds along the line of past-present-future; and he uses this temporal conceptualization as one of the main themes of his poems, fictions and non-fictions. The continuity of time which is experienced on individual and social levels is broken during the Westernization process which starts with the Tanzimat period. Believing that the dilemma of belonging to the East or West could be overcome by taking refuge in the natural wholeness of culture, Tanpmar narrates the search of the divided self for wholeness in his novels. In this study, first the development of the concept of time in the history of mankind is discussed in order to clarify the concept of time in Tanpmar's novels. What follows is the analysis of Tanpmar's understanding of time with reference to the problem of Westernization and the thoughts of authors like Yahya Kemal and Abdülhak Sinasi Hisar. In the last section, Tanpmar's five novels are studied one by one with respect to terms like time, continuity, wholeness and dividedness. In the conclusion, it is claimed that Tanpmar's novels formally exhibit the wholeness his heroes fail to reach.
Recaizade Mahmut Ekrem as a Theorist and as a novelist: |Talim-i Edebiyat and Araba Sevdası with respect to the oppositions of east- west and romanticism- realism
(Thesis (M.A.) - Bogazici University. Institute for Graduate Studies in Social Sciences, 1996., 1996.) Akyıldız, Olcay.; Esen, Nüket,
In this study, Recaizade Mahmut Ekrem's two works one of which is a part of and the other fictionalizes the Westernization movement launched in Tanzimat period, are analyzed with respect to the philosophical trends and the social structure of the period and Ekrem's other works. These two works are a book on literary criticism, Talim-i Edebiyat, and a novel, Araba Sevdası. They, being examined first one by one and then together on two different axes, present us a panorama of the period. In this examination Talim-i Edebiyat is read again and again in order to make a new sense out of it, then it is reviewed within the context of literary schools and the westernization project which aims at a synthesis of western and eastern cultures. In the second part Araba Sevdası is studied with a parallel view as a novel with its main character symbolizing pseudo-westernization and which reveals the incommensurability of eastern and western epistemological approaches. In what follows comes the conclusion and here it has been shown that Tanzimat literature which was articulated in Talim-i Edebiyat is criticized in Araba Sevdasl and that the mentality which has been held in the former is rejected in the latter.
Education theme in the Tanzimat novel
(Thesis (M.A.) - Bogazici University. Institue of Social Sciences, 2000., 2000.) Atan Polat, Özlem.; Esen, Nüket,
When Tanzimat period novel is analyzed, it is seen that, in the novels which have been written in order to educate people, main characters are identified with the public, therefore, the process of education of the main characters occurs as a reflection of real life. In Taaşşuk-i Talat ve Fitnat, Felatun Bey ile Rakım Efendi, İntibah, Cezmi, Araba Sevdası, Sergüzeşt, Zebra, novels that I have analyzed, the process of education of the main characters are transmitted to the readers by their authors in detail. At the same time, the novels that reflect the conception of ideal education of the Tanzimat authors which have been seen as the intellectuals of that process, emphasize the characters who adapt themselves to western civilization without losing their own culture. Tanzimat period is a process when great improvements have been achieved in terms of education. After the Tanzimat and Islahat Declarations, the first central organizational and constitutional movements were started, new arrangements were made with regards to education by adopting the education systems of the west, mostly the French. The reflections that was brought by the structuring of secondary education, the rapid increase of the numbers of Rüştiye Schools and the approval of the project by Otttoman Empire which was proposed by the French Government in 1867 to the education field are seen in the novels. Like the Ottoman Empire, Tanzimat authors aimed to give the best education to their characters. This study aims at characterizing the concept of education of Tanzimat authors by analyzing the process of education of the characters in the novels; to compare and contrast the education system of the period with the one given in the novel by Tanzimat novelists in order to reveal its effects on public and the individuals.
Bir edebi değişimi A Dergisi ile okumak
(Thesis (M.A.) - Bogazici University. Institute of Social Sciences, 2001., 2001.) Altuğ, Fatih, 1977-; Esen, Nüket,
This study offers a critical analysis of a literary journal, A, of the 1950s in Turkey, in order to show how discussions with this journal reflect a transformation from social oriented literary understanding to an abstract one. The 1950s constituted an important phase in the Turkish modernization process. This period witnessed a number of politicaL economic, social, cultural and artistic changes with regard to modernization. Autonorninization and institutionalization were the bases of this change. Literature was one of the areas that underwent a remarkable change< In particular, poetry and short stories produced by the new generation of writers during this period effectively reflected the impact of social and cultural transtormation on individuals. InSisting on the importance of the subjectivity of the author in a \~ork of literature, the writers of this generation in general rejected social function and the role of literature. They did not possess a perception or a concept of a whole \vorld. These authors believed in a single reality, but put forward the idea that individuals could not understand this reality. During this period, there was a generation war between the representatives of social realists and the authors of this new generation. Generally speaking, social realist writers possessed a total perception of the world, favoring a concrete expression of reality. In sharp contrast, the authors of the new generation were subjective realists. In expressing reality, these authors deviated from the everyday usage of language. Both sides attempted to be more int1uential in the field of literature. However, they failed to be at the center of the literary establishment. The literary joumal Varhk being at the center, the aforementioned sides surrounded this literary establishment. For this reason, these rivals occasionally came together against the center. As the journal of the sUbjective realist generation, the literary journal A reflects not only the characteristics of this new generation but also of general aspect of the literary scene of the 1950s. For this reason, A has a significant role ill understanding the literary transformation that took place in the 1950s.
16. yüzyılda bir nazire şairi Sebzi ve nazireleri
(Thesis (M.A.) - Bogazici University. Institue of Social Sciences, 2001., 2001.) Karataş, İbrahim Hakan.
Divan of Şuhi :|critical edition-textual analysis
(Thesis (M.A.)-Bogazici University. Institute for Graduate Studies in Social Sciences, 2003., 2003.) Top, Yılmaz.; Kut, Günay.
Şuhi is one of the hardly known poets of the 17th century which had taken over the accumulation of the classical Ottoman poetry and transported it to the 18th century with elegance and maturity. The sources inform us very little about his life; that is to say we do not know when he was born. In the 17th century, Rıza Tezkiresi was the only biography which mentioned about Şuhi and he was introduced as a poet "who is one of a kind" in this biography. In Vakâyiü'l-Fuzalâ that is a biographical work written in 18th century, the scholarly education of Şûhî and medrese schools he worked as a professor were told in detail. However, his private life was not followed up with interest in this biography. The aim of this study is to examine the single copy of Şûhî's Divan whose date of reduction is unknown according to form, style and content together with a transcription of the text. Also this research gives short information about his life and his literal personality. For this aim, limited information given by biographies has been collected and the other information about his literal personality has been brought out as much as possible from the poetries in his Divan. With the help of the meter and rhyme, the scribe's mistakes and misspellings have been evaluated with critically. Şûhî's Divan has been examined in three parts: content, form and style. Versification forms, meter, rhyme and repetiton of sound (redif) have been evaluated as form properties. In the content part; religious elements which exist in Divan (verses of the Koran and Hadiths, prophets and religious leaders) and mythological-historical people have been examined according to the reasons of mentioning in Divan. In the style evaluation part, idioms and proverbs which poet used, the plainness in the language, harmony and other poetical devices have been tried to studied. In the conclusion part, aspects of Şûhî's literal personality which had been lightened by Şûhî's Divan have been pointed out. The whole study ends with an index which has been prepared for compounds and proper nouns and also with a short bibliography.
Ta'ib Mehmed Çelebi ve Divanı
(Thesis (M.A.)-Bogazici University. Institute for Graduate Studies in Social Sciences, 2003., 2003.) Doğan, Güler.; Kut, Günay.
This thesis aims at presenting the Turkish Divan by Taib Mehmed Çelebi who lived in the 17th century and wrote poetry in the Indian Style. Our study will establish the text of Divan, his only known work, dwell on its form, content and style, and also provide information on his life and literary personality. Taib was from Istanbul and worked as a scribe at the Imperial Council. He was a student of Naili who was a representative of the Indian Style in Ottoman lands. In fact we have two texts of Divan in relation to Taib Mehmed. One of them, which is our main source of study, is a complete divan that is wrongly attributed in the published manuscript catalogue to Osmanzade Taib Ahmed (1136/1723). The second incomplete divan is attributed in various works to the same person. We have established that the first work belongs to Taib Mehmed, while the second consists of poems by Taib Mehmed as well as another poet from the 18th century. In the present work, Divan is examined in terms of form, content and style. In terms of form, statistical information is provided about the poetry forms, meter, rhyme and redif and then an assessment is made. The content is studied in two parts, namely religious and historical-mythological elements. In the section on religious elements, the terminology related to God is cited; the quoted or alluded Qoranic verses and Prophetic Traditions are enumerated with their references and translations; and lastly, the prophets and religious events mentioned in the text are specified. As for the historical-mythological elements, brief information is given on historical and mythological events and personalities as well as on where and how they appear in the text. Finally, in the section on style, stylistic and linguistic characteristics of Divan are discussed and also examples are provided for proverbs, phrases and literary arts employed.In the conclusive part are our conclusions reached through a study of the poet's life and his Divan. At the end of the thesis, an index of compound words and adjectives as well as a copy of the text of Divan are appended.
Leskofçalı Galip: hayatı, dönemi, sanatı, divanı ve metnin bugünkü Türkçesi
(Thesis (M.A.)-Boğaziçi Üniversitesi. Türk Dili ve Edebiyatı Bölümü. Eski Türk Edebiyatı Ana Bilim Dalı, 2003., 2003.) Yıldız, Ahmet Hamit, 1969-; Kut, Günay.
Haldun Taner'in benzetmeci oyunları üzerine göstergebilimsel bir çözümleme
(Thesis (M.A.)-Bogazici University. Institute for Graduate Studies in Social Sciences, 2004., 2004.) Dicle Başbuğ, Esra.; Uysal, Zeynep.
In this study, Haldun Taner's five mimetic plays which belong to his first period of theatre carrier are analyzed by means of the semiotic method. As a semiotic analysis requires, in each play meaning levels are determined, functions of narration units that help us find the abstract meaning of the text are considered and in conclusion, the deep structure that all meanings of plays are established on is revealed. At the end of this analysis that performed by semiotic method, it is concluded that in spite of the fact that these plays of Haldun Taner seem to have different features in form and content, at deep structure of all plays there is the same "conflict" between the old/new values which occur after the economical changing period in Turkey around 1950's.
Behçet Necatigil ve Hermann Hesse'nin şiirlerinde ruh-beden çatışması
(Thesis (M.A.)-Bogazici University. Institute for Graduate Studies in Social Sciences, 2004., 2004.) Tezgör, Hilmi.; Arslan, Nur Gürani,
Behçet Necatigil and Hermann Hesse are two great poets with many common points, even though they seem quite different at first sight. Behçet Necatigil, whose works reflect his life, has the same concept also for the translated poems. Necatigil, rather preferred working on poets, who have similar points of view with him, who he could build spiritual and sensitive connections with, and of course on those he liked. Hesse was one of those.This thesis approaches the tension that a person goes through when working on his/her self-realization and happiness, that is present in Necatigil's and Hesse's work within the frame of the Austrian philologist Leo Spitzer. In this thesis, concentration is on 'soul-body duality' in Neactigil's and Hesse's works, whether there is a final consensus, the differences or similarities concerning the theme used, how the poets use the spaces and its reflections on one, again differeneces and similarities of how the tension is expressed in words and finally on techniques used to transfer these issues into literature. In Necatigil's works, soul "went away" but the body "stayed"; in Hesse's works both soul and body "went away."
Latife Tekin'in romanlarında öznellik ve anlatı
(Thesis (M.A.)-Bogazici University. Institute for Graduate Studies in Social Sciences, 2004., 2004.) Sönmez, Ayten.; Esen, Nüket,
This study aims to explore the relation between subjectivity and narrative in Latife Tekin's first five novels that received significant attention from the literary arena for the narrative style employed. In this perspective, this study searches Latife Tekin's representations of different subjectivities formed in Turkey's belated modernity experience. These collective, different and alternative subjectivities are expressed with a hybrid language in these novels. The formation of subjectivities is considered in relation to hybrid language, traditional and modern genres as well as narrative techniques. The appearance of subject as a collective entity is deepened in terms of language, space, and gender. The disintegration of subjectivity, identity, language, space, and body is explored where collectivity collapses. Finally, this work aims to locate Latife Tekin as an author and evaluate her hybrid and alternative texts.
Hasan Ali Toptaş'ın romanlarındaki "arayış"ın postmodern yüzü
(Thesis (M.A.)-Bogazici University. Institute for Graduate Studies in Social Sciences, 2004., 2004.) Aslan, Pelin.; Esen, Nüket,
Postmodernism, which questions and criticizes modernism and its values, brings new approaches to literature. The author neither reflects the outside world nor tells about his/her inner life in this new approach of polyphonic literature in which everything and their opposites are presented together simultaneously. In postmodernist literature which emphasizes not content but fiction, reality is questioned, borders between fiction and reality are erased, possible worlds are produced, author narratorcharacters in the texts always turn into each other, so they lose their identities, texts are in active play explain their creation process to their readers and expect their readers to share this process. In this study, postmodernist approaches to literature will be studied through "quest" adventure in Hasan Ali Toptaş's novels. Each "quest" in these novels reflects postmodern narration and shows that the writer reaches postmodern narration which makes all kinds of existence possible.
Bali Çelebi ve Divanı (2b-35a): inceleme ve metin
(Thesis (M.S.)-Bogazici University. Institute for Graduate Studies in Social Sciences, 2004., 2004.) Sinan, Betül.; Kut, Günay.
The aim of this work is to bring into light Bâlî Çelebi, about whom the information is very limited in resources, and his Divan. To achieve this goal, the life of the poet is tried to be enlightened as much as possible, and the text of the Divan, his only work for the time being, is established and analyzed in frames of its form, content and style. This research can be divided into two main sections: analysis and text of the Divan. In the analysis part, firstly other poets, especially Rumelili Bâlî who, in some resources is confused with Edirneli Bâlî Çelebi, are presented. Afterwards the life, literary personality, literary view and works of Edirneli Bâlî Çelebi who constitutes the main theme of this thesis, are examined. Under the heading of 'Etkiler' (Influences), Bâlî's nazires and the poems of the poets for whom he wrote nazires are analyzed.As a result of this former part of the analysis part, it is found out that Bâlî Çelebi lived in the 16th century, during the era of Selim the first and Murad the third. He worked as a kethüda for Kemal Paşa-zâde, one of the Sheik ul-Islams of the era. After serving for a sheik of a tariqa for thirty five years he started writing poetry on the request of this sheik, and he wrote his Divan when he was mütevelli of Edirne Darülhadisi. Although on the prose dibace of the Divan the poet mentioned that he had four works except his Divan, none of them exists today.In the latter part of the analysis, The Divan of Bâlî Çelebi is examined in terms of the characteristics of its form, such as versification, meter, rhyme, and redif. Moreover, the religious, historical, mythological and social elements of the Divan, in other words its content, is examined. Lastly, in the section of stile, the characteristics of its language, proverbs, idioms and its various figures of speech are studied. Furthermore, sample verses for each of these elements are given. In the conclusion part, information provided from these analyses are evaluated. After describing the copies and the methods for establishing of the text, the text of Bâli Çelebi's Divan is given. At the end of this work, an index for analysis part as well as the index for proper nouns, proverbs and phrases of The Divan of Bâlî Çelebi are appended.
İlhan Berk'in şiirlerinde anneye dönüş arzusu
(Thesis (M.A.)-Bogazici University. Institute for Graduate Studies in Social Sciences, 2004., 2004.) Öztürk, Veysel.; Arslan, Nur Gürani,
When it IS compared with his contemporaries, ilhan Berk has espoused imprecise style III poetry. This understanding of poetry brings in its train the infiltration of content of the uncounsciousness to the text of poem consistently. Psychoanalytic criticism which aims to analyze unconsciousness of the poet and the text enables re-fictionalization and re-interpretation of the work. In this regard, in order to interpret works of ilhan Berk, it is inevitable to take what opportunity is presented by psychoanalytic criticism that intends to explore uncounscious of the text of poetry. When approaching to ilhan Berk's poetry, one says that the main desire in his works is "desire of the return to the mother." That desire shows itself in two forms as "the return to the womb of mother" and "the return to the early childhood in which child and mother were unified." "Desire of the return to the mother" could be followed by means of four main themes in his poems which are "loneliness" "sexual intercourse", "sea" and "death." Loneliness does not only express an experience which is peculiar to the persona who lost his mother, but also at the same time the loss of a bygone transcendental identity of the mother ad infinitum who has her child snatched to the world of culture. Nonetheless, "sexual intercourse", "return to the sea" and "death" are uncounscious ways that were invented by the persona in order to compensate for his separation from the mother. The aim of this study is to pursue "desire of the return to the mother" by means of psychoanalytic criticism in ilhan Berk's works who is one of the outstanding poets in Turkish literature. Vlll
Sırrı Rahile Hanım ve Divanı
(Thesis (M.A.)-Bogazici University. Graduate Institute of Social Sciences, 2005., 2005.) Açıl, Berat.; Toska, Zehra.
The main purpose of this thesis is to present the Turkish Divan by Sırri Rahile Hanım who lived in the nineteenth century. This study will establish the text of Divan, dwell on its form, content and style with some information about RahiIe Hanım's life, and her literary personality. Apart from these purposes, another important aim of this study is to analyze the "Mystical Concepts" used by Sırri in her Divan. Sırri was from Diyarbakır and lived there through most of her life. She lived in Baghdad for a while and then came to istanbul where she died. In the present work, Divan is examined in terms of its form, content and style. In terms of form, statistical information is provided about poetry forms, meter, and rhyme. The content is studied in three parts, religious and historical-mythological elements and the "Mystical Concepts" which are examined separately. For the fIrst part, the use of God, prophets, Qoranic verses, hadiths and religious personalities by Sırri in her Divan is examined. For the second part brief information about historical mythological elements are given and their use in the Divan specifIed. Lastly, we take up the "Mystical Concepts", since Sırri is a mystical (mutasawwıf) poet and uses these concepts, largely in her Divan. In the conclusion we present our general opinion about Sırri's life, her Divan and the "Mystical Concepts". At the end of this thesis an index of names used in the transcribed text, an index relevant to the analyses part and a copy of the text of the Divan are appended.

Browse

Browsing Türk Dili ve Edebiyatı by Issue Date

Results Per Page

Sort Options